Gang Gang Dance AI: Dance the Viral Jean Phil Battle From a Single Photo

Recreate the reference video [Video 1] shot for shot. The ONLY change: the man in the neon yellow and pink ski suit who dances alone on the stage is now the person in [Image 1]. Use [Image 1] as the only identity reference for the main performer. Preserve the subject's recognizable face, skin tone, hairstyle, body proportions, clothing characteristics, and overall identity consistently throughout the video. Copy the exact face from [Image 1] - face shape, eye color and eye shape, eyebrows, nose, mouth, skin tone, age, hair color, hair length and hairstyle, and any beard, moustache, glasses or freckles exactly as in the photo, so their friends instantly recognize them. Never drift back to the original dancer's face. NO neon ski suit, no ski gloves and no chunky white boots unless [Image 1] shows them: the dancer wears the clothes from [Image 1]. Use the reference video [Video 1] as the only reference for the scene, camera position, framing, body movement, gesture sequence, performance rhythm, spatial blocking, and timing. Do not copy the original performer's identity; transfer only the reference video's scene, pose, motion, choreography, interaction, framing, and timing. Create an approximately 15-second cinematic stage-performance video. Reproduce the same dark indoor theater environment with a glossy black stage floor, deep black background, subtle blue stage lighting, surrounding seated audience, and the same intimate live-performance atmosphere. Keep the main performer centered in the foreground. Maintain a mostly fixed audience-level wide camera. Do not add new locations, extra cuts, dramatic camera moves, dolly-ins, orbit shots, or unrelated close-ups. Strictly follow the reference performer's motion and timing. Begin with a slightly forward-leaning posture, bent knees, and both arms reaching downward and forward. Continue with alternating arm extensions, wrist and hand movements, small steps, subtle weight shifts, shoulder movement, and gradual transitions between crouched and upright posture. As the performance develops, the protagonist straightens, lowers the arms, briefly pauses, then lifts the head and looks upward. In the second half, increase movement intensity according to the reference: side-to-side weight shifts, torso leans, arm swings, crossed-arm gestures, outward arm extensions, upper-body twists, and more expressive head and torso movement. Near the ending, reproduce the faster head and upper-body motion, followed by the final confident pose with one arm raised and the other near the waist or hip. Preserve the same progression from restrained movement to more expressive theatrical performance. All motion must remain physically believable, with realistic balance, floor contact, joint movement, hand anatomy, torso rotation, and weight transfer. Do not invent new choreography or random dance moves. Maintain strict identity consistency. No face drift, identity blending, duplicated protagonist, random costume changes, malformed hands, extra limbs, floating feet, incorrect floor contact, changing stage environment, unnecessary subtitles, logos, watermarks, or unrelated effects. The final result should feel like the person from [Image 1] performed the same routine in the same theater, with the same scene, movements, pauses, rhythm, and framing as the reference video. The people in the audience keep their own faces and never get the dancer's face.

One continuous single take, fixed camera, vertical video. Recreate the reference video exactly, but the dancer is the person from the reference image instead of the man: the same person with the same face, hair, skin tone, body and clothes, in the place from the reference image. Use the reference image as the only identity reference for the main performer. Preserve the subject's recognizable face, skin tone, hairstyle, body proportions, clothing characteristics, and overall identity consistently throughout the video. Strictly follow the reference performer's motion and timing. Begin with a slightly forward-leaning posture, bent knees, and both arms reaching downward and forward. Continue with alternating arm extensions, wrist and hand movements, small steps, subtle weight shifts, shoulder movement, and gradual transitions between crouched and upright posture. As the performance develops, the protagonist straightens, lowers the arms, briefly pauses, then lifts the head and looks upward. In the second half, increase movement intensity according to the reference: side-to-side weight shifts, torso leans, arm swings, crossed-arm gestures, outward arm extensions, upper-body twists, and more expressive head and torso movement. Near the ending, reproduce the faster head and upper-body motion, followed by the final confident pose with one arm raised and the other near the waist or hip. Preserve the same progression from restrained movement to more expressive theatrical performance. All motion must remain physically believable, with realistic balance, floor contact, joint movement, hand anatomy, torso rotation, and weight transfer. Do not invent new choreography or random dance moves. No neon yellow and pink ski suit, no ski gloves and no chunky white boots unless the reference image shows them. No cuts, no text, no captions or logos on screen. Exactly one person, no extra people.